![]() ![]() He is known by the alias Etienne Guiborg, the name of a man who performed Black Masses in the 17th century. Now, one of BATMAN: THE BLACK MIRROR’s most iconic moments lies in its most mysterious character: The Dealer. Though, his impulsiveness does suggest that he is bound to trust his instincts, whether right or wrong. ![]() As a result, he may not exemplify the most patient and collected Batman. This ultimately explains his struggles in putting down roots in Wayne Manor. Consequently, many of his actions and choices may be perceived as impulsive and rash, a characteristic Barbara Gordon believes to be a symptom of his experiences in the circus and constant mobility. There are moments in which he does not see all the possible outcomes and is therefore unprepared for those unforeseen. When Buck suddenly begins suffering a horrific death, Batman actually panics and screams Buck’s name.This moment, in addition to others, exemplifies Dick’s susceptibility to losing self-control and failing to have a plan B in dire situations. In the first segment of BATMAN: THE BLACK MIRROR, Batman interrogates a man named Buck. Either way, it is a transparency his predecessor did not always maintain because Dick does not display much of a distinction between his two pe rsonas. In regard to Dick’s transparency, one may interpret that characteristic as either a flaw or a strength. Sure, it is a brief moment, but it is incredibly telling that Dick seems to actually have a little fun in his role as Batman. In fact, we see him smile in one sequence when he uses the Bat-taser on an enemy. Of course, “carefree” and “Batman” are not two words one would expect to see in the same sentence, but Dick exemplifies those characteristics to a tee. The most stark difference is arguably that Dick is a much more transparent and carefree Batman. Thus, there are various apparent differences between the new Batman and his predecessor. Additionally, he also struggles in establishing a distinct identity as The Dark Knight. So, he feels odd marking his place when he doesn’t feel as though it is truly his. He does not feel comfortable in the vastness of Wayne Manor nor does he know how to establish his own identity within the home. Firstly, he struggles with adopting to Bruce Wayne’s former life. Now, despite the fact that Dick Grayson has worked alongside Bruce Wayne as Batman for quite some time, Dick’s approach to the symbol is starkly different. In his stead, Dick Grayson has taken up the mantle. Bruce Wayne is no longer operating as Batman. ![]() The Battle For The CowlīATMAN: THE BLACK MIRROR features Gotham City entering a transitionary state of being. Interestingly though, those literal monsters are the least to be feared in Gotham, a place with the capability to transform innocent individuals, including children, into beings they cannot even fathom. Monsters infest the city of Gotham, literally depicted in the work’s opening pages as a young child morphs into a terrifying abomination that rips a teenager’s arm off. Rather, they live to fight the very nature they were bred to exemplify, that of monsters. As a result, the city deprived the roots of the two had to their humanity, attempting to transform them into monsters. Gotham City consumed the parents of both Bruce Wayne and Dick Grayson. Thus, Gotham City is an entity unafraid to deprive what lies within it. Though I should warn you, this story is not for the faint of heart.īATMAN: THE BLACK MIRROR. Thus, let us dive deep into BATMAN: THE BLACK MIRROR. The villain of the story is arguably one of the coldest in the Batman mythos, and the ambiguity of the story’s conclusion leaves readers with great discomfort. Some of the arc’s most memorable sequences root themselves in disturbing portrayals of violence. However, BATMAN: THE BLACK MIRROR pushes those notable tones drastically forward. Of course, Batman has historically been associated with dark and gritty tones. Through this specific event, we witness a unique interpretation of the symbol of Batman.Īdditionally, the story embodies numerous aspects of the horror genre. Firstly, the story features former sidekick Dick Grayson’s ascent into the cowl of The Dark Knight. From writer Scott Snyder and artists Jock and Francesco Francavilla, the story has established a lasting impression amongst comic book readers. In 2011, DC Comics’ DETECTIVE COMICS title ran a story entitled BATMAN: THE BLACK MIRROR. ![]()
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